By Glenice Whitting
If you want to explore life lived on the edge, then see, read or buy anything written by Valerie Kirwan. This talented author is something of a legend. Skilled in many genres she writes plays, novels and short stories that challenge, fascinate and intrigue. Her following of dedicated readers pack out playhouses and eagerly pounce on every new work.
LOVERS AND LOSERS
It was by chance that I won the La Mama Theatre door prize: Valerie Kirwan’sLovers and Losers of the Last Century. The next day, toast in one hand, book in the other I glanced at the first page. I was instantly hooked and soon totally immersed in an erotic, frightening, but fascinating world of friendship, love and deception. A friend called at noon and found me still in my pyjamas. We had a quick coffee and I was glad when she left. Odie dog whimpered for attention and finally, dinner bowl in mouth, begged. I absentmindedly tossed him a few dog biscuits. Nothing got done until I’d devoured the last word.
EROTIC ESCAPADES AND BLACK HUMOUR
My Internet search for this author revealed an inspiring list of published work. Fourteen plays staged at various venues including La Mama Theatre, Carlton Courthouse, The Botanic Gardens and St Martin’s Theatre etc. Four novels:The Will to Fall. Bizarre adventures and Shale Hemly Whirls. Top best seller list in 1984/85. The Moon is Bloodshot. Erotic escapades and black humour. The Disease of the Silkworm. Betrayal, slavery and sexual politics. The soon to be published Taking a Fool to Paradise , an unsettling but darkly amusing psychological thriller of obsession and potential violence. A collection of short stories: Wandering. Four novellas in Lovers and Losers of the Last Century , nominated for the 2003 Victorian Premier’s Award. Short stories have appeared in Island, Masthead, Imago, and New England Review . Four stories in the Beyond the Glass Anthology. Three literary awards, including the Jim Hamilton Award from the Fellowship of Australian Writers.
LIVING ON THE EDGE
So many accomplishments, but behind the achievements and accolades is the story of a fascinating woman who has overcome many difficulties to be where she is today. Kirwan studied English literature at Melbourne University, taught English and Drama and had several other jobs including working in a local nursing home. In 1974 she began writing, directing and performing in her own plays and was the first Australian woman playwright to be produced at La Mama Theatre. She became the Theatre’s first Playwright–in-residence and during that time, she wrote and directed her play “The Art of Lobster Whistling.” However, Kirwan did not stop at drama. “I always had a strong desire to write fiction, so, in the early eighties I gave up theatre to concentrate on my novels,” she says.
SHALE HEMLY WHIRLS
Novel writing gave Kirwan the opportunity to explore in depth her fascination with the element of chance, e.g., chance happenings, chance discoveries. “I welcome, perhaps even live for, the unpredictable,” she says. Kirwan creates situations where she is exposed to the unexpected and these experiences not only provided new writing material, but immense entertainment for someone who thrives on serendipitous situations. “Last spring a friend and I set up a small table in the center of a large park at midnight, and wearing large hats and gloves we played a game of chess in the wind. Only two youths on bikes passed by, said hello and went on their way, but I found the experience fun and exciting because of the wind and the beautiful night and the feeling that anything could happen,” she says. Kirwan used her many bizarre random games, called Shale Hemly Whirls, which encourage adventure and unpredictability, as the basis of her first novel, The Will to Fall.
THE WILL TO FALL
It was also Kirwan’s untamed spirit of adventure and the ability to step out of the norm that resulted in the publication of The Will To Fall . She says, “When I told everyone I was sending the manuscript to Penguin Books, they said, ‘You’re crazy. Penguin will not publish an unknown, especially a first novel written by a Dadaist playwright.’ My husband said, ‘You’re mad, but I’ll drive you there if you want.’ He did and I simply dumped the manuscript on the reception desk without speaking to an editor. One year later Penguin contacted me and told me they were excited about the novel and they would publish it. Not only did they publish The Will To Fall, but the book made the twelve top best selling list in 1984/1985.
Unfortunately, after this success she became physically ill, unable to walk, lacking in the necessary energy to keep working and to be part of society. After a break of several years Kirwan was dismayed to discover that the art/literary/ theater world was now swamped with political correctness and that her edgy, dark, brave writing was not being published. Rather than tone down her work to fit in with the current market, she continued to write in her own individual style.
BLANDTRASH AND THE HORNET’S NEST
She joined The Hornet’s Nest and found kindred souls in the group of uncompromising writers who refused to be part of the homogenised BLANTRASH (a word invented by the group). The Hornet’s Nest published two of Kirwan’s novels. The success of these novels attracted the interest of Indra Publishing . This well known supportive publisher contacted Valerie Kirwan and a collection of novellas, Lovers and Losers of the Last Century (nominated for the Victorian Premier’s Literary Award), was soon on the market.
Valerie’s latest novel, Taking A Fool To Paradise, a fabulous psychological thriller that keeps the reader guessing. If you get a chance, join the queue and get a copy of this latest novel recently launched by Indra Publishing and I’m sure you will agree with the write up in the Melbourne Times Newspaper :
“Valerie Kirwan’s stories are strong, warm and direct. They marry a sharp edge of detachment with a sensual depth charge. Her lyrical mind-rambling has wit, elegance and charm. Her’s are certainly the fine and sparkling reflections that should be available to all of us.” (David Edwards)
EMBRACING THE THEATER AGAIN
As her readership expands Valerie Kirwan becomes more and more passionate about communication through the written and spoken word. Recently, her interest in theater was revived when she was contacted by La Trobe University to stage one of her plays. “I’m just thrilled,” she says. “Fiction writing and the theater are opposite extremes. Novels are written in solitude and part of me needs the communication that theatre people bring.”
Unpredicted happenings play a big part in anyone’s life. Just when you have your life planned, an unexpected telephone call, a chance meeting or letter can turn that world upside down and life is never the same. Winning the door prize at La Mama Theatre meant a talented author touched my life and I now embrace life’s challenges with a sense of excitement and wonder. I too will play chess at midnight and experience, as Kirwan says, “The wind, and the beautiful night and the feeling that anything can happen.”
Glenice Whitting started writing in her last year of a B.A. at Monash, which was ostensibly going to take her towards a career in Sociology. Fate however, intervened in the form of a class in fiction writing. Many of her short stories have won competitions and been published in newspapers, magazines, and journals. She is currently contributing editor for Inspiring Women at Suite101 and has an e-book of the same title. Her unpublished novel, Pickle to Pi , was shortlisted in the Victorian Premier’s Literary Awards. Her play, “Hair Today, Gone Tomorrow,” was produced during the WWIT Fertile Ground New Play Festival.